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2666 at Teatro

In adapting Pablo Ley and Alex Rigol and under the direction of the Rigola, the vast 2666 novel by Roberto Bolaño has been taken to the tables. Had to be a draft Barcelona Teatre IIiure , the city where he was living just Bolaño until death surprised him at fifty years old.

The link referred to above, is all the information about the theater project in 2666. In addition, about 2666 can be read the following comments:

The New York Review of Books - The Triumph of Roberto Bolaño

The Posthumous Fiction of Roberto Bolaño

Roberto Bolaño - 2666

2666 - New York Times

Wethepeople Zodiac 2010 Price

Nana Ice Age 3

"Ice Age 3"
Original title: Ice Age: Dawn of the Dinosaurs
Director: Carlos Saldanha and Mike Thurmeier
Screenwriter: Peter Ackerman, Michael Berg, Yoni Brenner, Jason Carter Eaton and Mike Reiss
Cast: John Leguizamo, Denis Leary, Queen Latifah, Ray Romano
USA, 2009

After Chris Wedge left the direction of "Ice Age", the sequel was never the same. The endearing story of the first film was the dressing that man was also a participant in the leading roles. Perhaps this made the tape was closest to the viewer, seeing represented on the screen and feeling the main creatures were part of history. While Wedge did not have a race deploy its expertise and is perhaps only just lucky that the script was that it contained something more interesting than the later history sometimes shows evidence to discover the errors.

"Ice Age 3" has few positives and many negatives. We highlight in good and original, the new character "Buck" who was quite capable of keeping the public waiting around the time of exposure. However, the stories and situations that are projected not have any significance in the plot falling in typical situations silly cliché and more to amuse eventually wear out. On one side is Scrat falls this time: How many hearts are "drawn" for these scenes? What was the purpose?. Then there are the dinosaurs: what they have to see the dinosaurs with the ice age? Why were included? "Sid had only the feeling paternal / maternal or add to the story something new?.

I think the story does not propose anything new. While there are times when you can create a laugh in the audience because of their creativity, as they pass through the gas that affects the voice as it does the helium or so is Sid sympathetic to draw faces to its children These moments are minimal compared with the history presented, thus losing the opportunity delivered to the public that for a given marketing mass falls within the cinema world.

The foundation of a good movie is its good script. We must not be very smart to realize it. Although there are few who manage to accomplish a good work without a great script - as happened with "Slumdog Millionaire " - there is a lot that is not even capable of presenting an argument as to achieve sustainable position without problems the minds of your target audience. "Ice Age 3" is that percentage: lacking a powerful idea that slips and falls down the abyss of forgettable films, saved at times by scenes that provoke laughter are always nice to receive.

Rating: 4 / 7

Trailer "Ice Age 3"

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The Illusionist

"The Illusionist"
Original Title: The Illusionist
Director: Neil Burger
Screenplay: Neil Burger Steven Millhauser and
Cast: Edward Norton, Paul Giamatti, Jessica Biel, Rufus Sewell, Aaron Johnson, Eleanor Tomlinson
USA, 2006

The same year he released "The Illusionist," another movie magicians appeared in the film industry under the tutelage of the great Christopher Nolan. And it is after its major foray into the field of comics with Batman when Nolan proposes this new work to the world disappear again surrendered to his charms, overshadowing any movie that tries to make the weight. Is not new to film formats and similar issues come to light on similar dates - only to remember "Armageddon" and "Deep Impact" in 1998 launched the subject of meteorites to the mat - and when this occurs only turns out to be the winner. Unfortunately for Neil Burger, the film succumbed to the power of "The Prestige", but not for this, "The Illusionist" ceases to be a film worthy of appreciation.

There are some things that are important in the development of a work. A good beginning, a powerful development leave the viewer intrigued and alerts the outcome, and an end that impacts so as to leave a sweet taste when reading the credits of the tape expires. "The Illusionist" has these three characteristics, with some seasonings that make it sweeter or more bitter for a few passages, but in a balance sheet is possible to obtain production accounts happy. While the plot development does not give a cultured look to give away wisdom to the viewer, the film is well aware that their role is to entertain and that is why your line is kept up throughout their development, providing a voltage that is applauded by the constant that appears.

The great Edward Norton portrays Eisenheim, an accomplished magician impresses greatly with his actions, causing illusions in the audience at a level to become idolized. However, the great grace of the film is that the illusion goes beyond fiction and tightens with the audience interaction loop so that it is a participant in the character's magic acts, causing a strange relationship to wonder hearing. With a final powerful and intelligent, "The Illusionist "is positioned as a work capable of arousing the senses of the most moribund, triggering feelings and calling to be fun to sit and enjoy an entertaining story that may well serve as a distraction.

The movie has a picture you wonder, or with outstanding performances - but in any case include the roles of Norton and Giamatti - nor a harmonious music. It may be that highlights its concern from the art scene as to turn the locker room. However, "The Illusionist "will be remembered for being a work not stressed at all in theaters worldwide, despite having a dynamic script is well able to entertain the viewer, moving and shaking more neurons than those typical films "stupid" Americans developed exclusively for entertaining .

Rating: 6 / 7

Trailer of "The Illusionist"

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She was

"She was"
Original Title: Grace Is Gone
Director: James C.
Strouse Writer: James C.
Strouse Cast: John Cusack, Shel O'Keefe Gracie Bednarczyk, Alessandro Nivola, Doug Dearth, Katie Honaker
USA, 2007

Chile recently became known in the Sundance Film Festival because a film of this country won the Best Film Award. However, to criticize the lack of culture of this long stretch of land in the film industry, since it is well known throughout the world the importance of this festival in the independent film market. "She was" two years ago won the Audience Award and Best Screenplay Award from the American competition, thus positioning itself in the eye of the distributors of the globe. Despite this, we had to wait two years before the debut James C. Strouse landed at local venues so that the public can appreciate why John Cusack was applauded standing in various international exhibitions.

With the music of Clint Eastwood film shifts between the concise and formed, finding edges of emotion that can not reach a successful conclusion by the lack of character that the play presents. While Cusack creates a character who is greatly complex living communication problem, the rest of the characters does not exert a role in the plot to build a direct line of communication with the viewer. Thus the emotion that is formed is not capable of moving as it should, considering that original screenplay based on a real idea has all the features to do so.

The loss of a mother is always a subject that moves. In fact, I can personally say that one of the most terrible feelings I had in my short life is waking up after having had the bad dream that my mother died. Thus, the issue is always latent in the history of humanity - and even more so when put in the context of war - with the same power and the complicated task of informing those who still belong to the living world . How is this done? What is the best way to tell a son or daughter that her mother just after forever? The problem is that word always . The storm that has just absoluteness by rational minds abrasion factors, falling into the complex situation of helplessness.

perspective lines that the director proposes to make the plot a little boring with a known end from the beginning that only has the excitement of waiting. Although one must appreciate that with a small ensemble cast manages to maintain tension without falling into the yawning easy, the film leaves a little taste accompanied by not taking advantage of a good idea. New Feature Strouse is apparently more potent than reflecting work that is learned making movies and trying to "The Winning Season" that comedy could be the gender which should be spent.

Rating: 4 / 7

Trailer de "She was"