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Target, Action, Internal conflict, id

"With half of his soul the artist takes to the search superobjective, continuous action, context, vision, insight, line elements of their inner creative attitude, while the other half of his soul experiement of psycho ... This does not hinder desdoblameiento inspiration. On the contrary, both help each other. "

Stanislavski, Constantin, 1986: Theatre Works pick. Editorial Quetzal, Buenos Aires.

Filthy Marriage Jokes

"2012"
Director: Roland Emmerich Written by Roland Emmerich and
Harald
Kloser Cast: John Cusack, Amanda Peet, Chiwetel Ejiofor, Thandie Newton, Oliver Platt, Woody Harrelson, Danny Glover
USA, 2009

Roland Emmerich knows the taste of people. Your audience wants to see the quality of special effects than anything else. However, this does not give credit for missed two hours of exhibition, abusing effects and without giving any order to the argument proposed. Many such managers are saved as they are appointed only for the address without being able to participate in the script, but if Emmerich is different because he has been one of the initiators of the work involved in both the original idea, writing and production thereof.

"2012" is a bad movie. It's that simple. Although their effects at times surprising, there is a fee that ends up overwhelming exhaustion of all asking please complete the film as soon as possible. The story has nothing original except in the beginning when they explain the reason why natural events occur. However, this only extends over 1% of the footage, leaving the rest to Emmerich was entertained by natural disasters, mass destruction, human annihilation and the typical letter that the U.S. manages to save the world again.

In every respect, the possible visual quality and sound mixed with science fiction, is corrupted by a script full of jokes, useless, unnecessary drama scenes away from the realism of feelings can permeate the screen and a story quite obvious that it generates more expectation in the audience. That is why the film should have been locked into the special effects and a sample stage that could deliver public fear, and warning that 2012 is a date imminent. However, the work is bathed in waste level of surrealism to the veracity of this prediction of the Mayan civilization that informs a new cycle of the planet.

If you want to go see good effects, go see it because you will have the chance to see those who are accustomed to seeing in Roland Emmerich's films, including "Independence Day" (1996), "Godzilla" (1998) and "The day alter tomorrow" (2004). However, if you care about something the film's plot, discard it outright and invest your time into something more productive and the two hours are eternal.

Rating: 3 / 7

Trailer for "2012"

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2012 District 9

"Seven Souls
Original Title:
Seven Pounds Director: Gabriele Muccino
Writer: Grant Nieporte
Cast: Will Smith, Rosario Dawson, Woody Harrelson, Michael Ealy, Barry Pepper
USA, 2008

Hope is something that might not be possible to keep within one. Moreover when the pillars of life crumble in a blink of an eye, transforming the outlook much more nebulous and radical, leaving the determination to end all be much closer to the rational.

"Seven Pounds" is a film that while it may be criticized many prejudices, leaves something to the viewer that is valued and appreciated by so much banal offering in the movie listings. The film directed by Gabriele Muccino - same director of "The Pursuit of Happyness" (2006) - starring Will Smith, at first may be one more among many works that are attached to support his lead actor profitable yet the script grabs and displays an argument well worth being aware of it, as did the director with Smith years ago showing that among these are good films.

The film has no technical issues stand out, their actions pass smoothly through the argument, the format does not generate feelings handed marvel points nor call too much attention, but this is overlooked by the history. Everything from an accident that the roots desagarra the protagonist's life and leads him to take one of the most contentious decisions about life. Perhaps this is what leaves everyone puzzled by encouraging to leave the package of popcorn side and sharpening the senses in the direction of the film that seemed to be something else.

argument handling is remarkable. So interesting that keeps the tension at all times, revealing layer after layer each of the events that make up the final goal of the work. To this illusion the viewer is thoughtful in what is better in these cases, putting into question the good and evil, right and wrong, as some years ago on a platform we posicionábamos legal for judging " goodness of euthanasia "motivated by" Mar Adentro "by Alejandro Amenabar. What happens in a case as "Seven Pounds"? It's more a personal choice, although goodness towards others becomes one of the best gifts of generosity displayed on the screen in recent years.

Rating: 5 / 7

Trailer de "Seven Pounds"

Old Honeywell Thermostat

"District 9"
Original Title: District 9
Director: Neill Blomkamp
Writer: Neill Blomkamp and Terri Tatchell
Cast: Sharlto Copley, Jason Cope, Nathalie Boltt, Sylvaine Strike, John Sumner, Nick Blake
USA / New Zealand, 2009

Why New Zealand is among the countries filmmakers of this tape? Just because Peter Jackson - director of the trilogy "The Lord of the Rings" - was born and raised in that area, and exploiting this title Zealanders gained access to capital with a producer of this great movie. But there have been different the future of this work without the production of Jackson? We can never find out, though much speculation that the marketing carried by the King Midas ocean was very favorable for Neill Blomkamp, \u200b\u200bthe creator of this science fiction tale that originated through a short film years ago (2005) and for which Jackson learned of the issue.

The film is something that very few works around the world have: a new script that is strongly linked to both the entertainment and a social background promoting the rationing of the beholder. No doubt this is what critics call basis to bring forward an analysis of the works should be displayed daily. With this foundation, it is very difficult for artistic expression either in each wobble of the different ramifications that have arisen throughout history. "District 9" has inserted in his spine, placing the viewer on a platform in which plays the role of judge and defendant at a time.

With an unusual visual language in the bill, the film becomes a moment treated as fictional documentary about reality under the noses of the public, and that eternal breaking glass that separates the genuine from the merely imaginative. Thus we face a new vision of human being much more critical, to which again positions us as the "bad guys" to alien visitation. And I say again long as the aliens only came to destroy the Earth, human beings being victims of it and showing how the U.S. saved us from destruction. Perhaps the last great movie that put humans on the "enemy camp" was "ET: The extraterrestrial" (1982), so it took almost 30 years for a new science fiction film play a so sensitive, allowing the public took to the unknown beings apart from their peers planetariums.

photography, music, performances, editing, everything is overshadowed by the power of argument that full compliance the proposal submitted by the director. While special effects encourage grandstanding "District 9" without falling into those abuses that appeal to many, the film is applauded by those lines seem to converge so little support, but some works show their points of similarity. The entertainment can escape from the banality gentlemen, and this proves it "District 9".

Rating: 7 / 7

Trailer "District 9"